Political Structures in Stealing the Future

Citizens enter the main Stasi HQ in Berlin

Where to start?

When writing a political novel the author needs to be very clear about the political structures that form the framework of the story, not to mention how they work on a day-to-day basis (indeed it is the tension between the theory and the practice of these institutions that provide the gaps that allow such stories to be developed).

The reader of Stealing the Future will have picked up on the fact that there are parliaments at several levels (Volkskammer at the federal level, and the Landeskammern at the Land, or regional level). But in Martin’s everyday life, most of the actual decisions are taken by the Ministry of the Interior (at which he works) or by the various assemblies – from the Central Round Table right down to the plenary meeting of the residents in his tenement block. Continue reading “Political Structures in Stealing the Future”

Verfassung der Deutschen Demokratischen Republik – Entwurf 1990

Header from the government gazette of the GDR

(See also the post Constitution of 1990.)

Verfassung der Deutschen Demokratischen Republik

Berlin, April 1990

Inhalt

Präambel

I. Kapitel
Art. 1-40 Menschen- und Bürgerrechte
Art. 1-25 Würde, Gleichheit, Freiheit, Solidarität .
Art. 26-33 Arbeit, Wirtschaft, Umwelt
Art. 34 Rechte der Sorben
Art. 35-39 Gesellschaftliche Gruppen und Verbände
Art. 40 Geltung Continue reading “Verfassung der Deutschen Demokratischen Republik – Entwurf 1990”

Constitution of 1990

Header from the government gazette of the GDR

One of the joys of writing fiction, I find, is the absolute power an author has over the characters and events in the story. Nevertheless, that power is limited by the needs of the reader—unconvincing, illogical and irrational plots may be fun to dream up and write, but will leave most readers unsatisfied.

For that reason, when writing The East Berlin Series I found I needed to place the events into various kinds of frameworks and contexts—there was a real need to make the story both plausible and believable.

Clearly history presented me with one set of limits. The East Berlin Series is counter-factual – branching away from ‘real’ history at the beginning of November 1989 – but I felt there was a practical limit as to what a society (no matter how energetic and idealistic) could achieve in just under three years. Continue reading “Constitution of 1990”